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    [轉(zhuǎn)載]本周Barco 55000lm 激光投影演示 [復(fù)制鏈接]

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    離線mang2004
     
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    只看樓主 倒序閱讀 樓主  發(fā)表于: 2012-01-12
    以下是1月9日的業(yè)界新聞原文:Posted by David Keene at 01/09/2012 09:24:43 PM MF~Tr0tOC  
    轉(zhuǎn)載自:http://www.systemscontractor.com/blog/69162.aspx VZ$FTM^b8  
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    Barco Unveils Digital Cinema Breakthroughs # Q_ d  
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    The 2nd Annual Moody Gardens Digital Cinema Symposium kicked off Monday at Moody Gardens in Galveston, Texas. Barco, teaming with museum cinema integration company D3D Cinema, is the event’s host, and Barco–as much of the electronics industry played with gadgets at CES in Vegas– unveiled some impressive large-screen milestones here in Galveston, on day one of the two-day event. |R$/oq  
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    In demos for an audience of select reporters, theater owners, consultants, and analysts, Barco has demo’d its Enhanced 4K DLP Cinema 3D offering, Auro-3D multi channel three dimensional audio system, and a new prototype Laser projector. dWAKIBe  
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    Barco first released its 4K DLP Cinema projector in 2010– but Barco is now exploring higher frame rates. The specification of 48fps in the DCI spec ushered in 3D. But further evolution of frame rates will see the ability to achieve 60, 96, and 120 fps performance– to be able to do 30fps, 48fps, and even 60fps 3D. And DLP technology– that Barco (as well as the other DLP Cinema licensees Christie and NEC) uses for its light engine– can more easily move to these faster frame rates– with a software upgrade– than can Sony’s SXRD technology. !8i[.EAT  
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    We all learned years ago– in film school or in the field– that great audio can make the difference in the movie experience. And we attendees of this Digital Cinema Symposium were reminded today by Brian Claypool, Sr. Director, Strategic Business Development, Media and Entertainment, Barco, that in fact Barco got it’s start in audio– as the “Belgium American Audio Company”. And we experienced a very impressive demo Monday of the new Auro-3D system from Barco and Auro Technologies. Auro-3D is a sound system designed along three spatial axes (width, depth and height) rather than the two axes as found in traditional surround sound. FrBJv<  
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